She has performed leading roles in such operas as La Rondine, Manon Lescaut, Tosca, La Bohme, and Madama Butterfly, in addition to Suor Angelica.. This category only includes cookies that ensures basic functionalities and security features of the website. I need to feel the pain to then understand the problem. I was kind of crazy, but this was obsession in a good way.\. I got through those early years by listening. I found out about myself that I am not very ready for big publicity, because I think I already give so much on stage.\ She smiles wryly: It should be enough!\. Vairkus gadus bija Latvijas Nacionls operas soliste, vlk Minhenes [2] , Berlnes , Milnas , Vnes un citu pilstu operu soliste. https://youtu.be/onRYmtqVaQ0 You have to be a bit more metallic without being too aggressive in the upper notes. Copyright 2023 Kristine Opolais. But then it was like my mind started talking to me, saying . Most importantly, Ive no interest in making beautiful sounds, my voice doesnt drive me in the slightest and its a small part of my expression. David holds a Masters in Media Management from Fordham University. Rate the pronunciation difficulty of Kristne Opolais 2 /5 (3 votes) Very easy Easy Moderate Difficult Very difficult Pronunciation of Kristne Opolais with 2 audio pronunciations 0 rating -1 rating Record the pronunciation of this word in your own voice and play it to listen to how you have pronounced it. From the moment I got into the opera chorus, I was almost living there-I went home just to sleep. The Met released her (she would successfully make her debut there as Magda inLa rondinein March 2013) andRusalkawas acclaimed as a theatrical triumph. The birth of their daughter Adriana that December marked another joyous milestone. Even so, she tired quickly, singing the whole last act. , Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. Latvian soprano Kristine Opolais has withdrawn from the Boston Symphony Orchestra's upcoming performances of Dvork's large-scale cantata "Stabat Mater," conducted by BSO music director Andris. That was after my Rusalka at the Bayerische Staatsoper. Hearing a concert performance ofLa Bohme, the first opera for Andris Nelsons (to whom she was now engaged) with his City of Birmingham Symphony Orchestra, I was amazed by the grace and vocal poise of her Mim, everything wonderfully expressive and deeply felt. Where does your head go when you perform? Rene Fleming has said that you represent a new style of singer, what did that mean to you? I remember her face after the production. Happy browsing! In fact, the experience went by so quickly that the soprano didnt really understand the opera or character when she arrived at the Met in October for rehearsals. All the cast sounded as if singing in different rooms. Now Im strong enough to say no. You are a disruptor on the operatic stage, your performances are unapologetic and full of fire. Kristne Opolais admits this is the only word to describe how, when she became a member of the chorus of Latvian National Opera at the age of 22, she found herself swept up in a new and intoxicating world, astonished by the power of opera to engage and move. This decision to unwind allowed the soprano to come to terms with a few aspects of her life. Nor is her soprano as refulgent as those of some past Butterflys have been. Kristine Opolais at Carnegie Hall last year. Its hard to be so-so everywhere so I wanted to give myself time to recover psychologically.. She needs to see her mother happy also. Ironically, its a gift because what upsets others doesnt affect me. Then she was woken by a 7.30am call from Peter Gelb at the Met with a desperate request: Anita Hartig was ill; would she consider stepping in? Kristine Opolais is one of the most sought after sopranos on the international scene today, appearing at the Metropolitan Opera New York, Wiener Staatsoper, Deutsche Staatsoper Berlin, Bayerische Staatsoper, Teatro alla Scala and Royal Opera House Covent Garden. When she laughed, she'd lean forward and create a triangle from her shoulder to her hand with her left arm, bending her wrist. All rights reserved. In my mind, as strange as it sounds, Im performing to two big eyes looking at me. KRISTINE OPOLAIS: With this I was preparing myself a lot more, because it was a lot of text I didn't know, it was very interesting studying the translation myself and asking a lot, it was quite a long preparation time, and of course with every debut role you need time. Today, I walk on stage and I completely transport into the character. I immediately said no, what crazy person would have said yes? She sang with conviction, acted truly and brought this manipulative yet annoyingly moving melodrama to a fervent emotional climax.\ Just hours later, Opolais would further endear herself to New York and a global audience by singing Mim in the afternoon\s live broadcast ofBohme. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. It feels like one big force watching me and keeping me safe. My process doesnt allow me to work that way and I have to accept that. Shes very sensitive. She was struggling with physical ailments that furthered the challenges of doing what she was advised to do. Coming home from work, she knew immediately if the young Kristne had been singing that day-the hairspray can was no longer where she\d left it and, microphone in hand, Kristne would have been giving her best Madonna routine to an imaginary audience. I can relate to every part of her role and I adore her. If I only focus on singing a specific way, then I will lose out on opportunities of living the character and taking risks in the moment. After that step in at The Met, my manager told me to always trust my gut over anyone else because everyone around me would have told me to say no. I feel like nothing can go wrong so I can completely let go and bring my character alive. https://bit.ly/3EIpMTy, Desert songs: Arizona Opera @azopera has announced its 2023-4 season in Phoenix and Tucson, including the premiere of Frankenstein by Gregg Kallor. We have estimated Kristine Opolais's net worth , money, salary, income, and assets. When shes done right, shes an extremely sexy and sensitive heroine. WHERE DOES YOUR HEAD GO WHEN YOU PERFORM? All titles will be broadcast in HD. Are o deosebit pasiune pentru operele lui Puccini , iar rolurile principale din opere i-au adus o recunoatere pe scar larg la cele mai importante teatre de oper din lume. This decision to unwind allowed the soprano to come to terms with a few aspects of her life. MADAMA BUTTERFLY was never my favorite Puccini until the . I had to roll around in water in a very thin nightdress, it was a challenge (laughs). . Follow my adventures on stage, behind the scenes & around the world! I feel now I must ration the number of these performances, it is so hard. If I work at home, people tell me to take it easy. Sometimes it has worked against me, but most of the time its my biggest strength. I asked her why she didnt like it and she said, Because youre crying. She sees me suffering and it hurts her. Kristine Opolais singt "Regina caeli laetare"-"Ineggiamo, il Signor non morto" - Osterchor und Gebet der Santuzza aus "Cavalleria Rusticana" von Pietro Mas. All women who are singers and mothers, I admire them tremendously because it is so challenging, almost impossible to do both at the same time really well.. That response is surely a clue to what has brought Opolais, at 35, to where she is today, in huge demand at some of the world\s biggest houses, feted for her singing of Puccini roles-most recently Manon Lescaut, with Jonas Kaufmann as Des Grieux. Ive done it in the past and I wont do it again, I can only bring myself to a role. Then shewent on tourwith the Gewandhausorchester Leipzig, also under Nelsons. You have to go through the orchestra on the top notes, but you have to find a balance so that you dont push your voice too much up there with your body. And to top things off, in her private life she just didnt feel she was able to give her fullest both artistically and as a mother for Adriana, who will turn seven at the end of December 2018. Quite aside from her impassioned singing and acting, Kristine Opolais is what the Edwardians would have called a stunner - a rangy blonde in tight black leather trousers who sails into the room. And when teachers asked me, What you will do, Opolais, with your future life? I remember her face after the production. There was a lot of shit in my past, thats the only word I can use to describe it. WHERE DOES THIS ENERGY COME FROM? VAN: In Leipzig from May 18 to 21, you're singing a concert program with Andris Nelsons and the Gewandhausorchester. When shes done right, shes an extremely sexy and sensitive heroine. At the Academy, frustrated by the apparent need to conform to a type, Opolais already sensed she wasn\t like everyone else. YOUVE MANAGED TO STEP IN FOR PERFORMANCES THAT VERY FEW SINGERS WOULD HAVE BEEN ABLE TO DO. When I get home, I try to just be there for my daughter. She noted a desire to sing all three soprano roles across Il Trittico, adding that she feels most comfortable with Giorgetta from Il Tabarro.. I was 27 when I met Margreet, and she thought I was young enough to start again from the beginning. Nelsons will conduct while Opolais reprises Tchaikovsky's opus with the Boston Symphony Orchestra from April 21 through 23. Read the complete interview via OperaWire, Valerio Galli, conductor Arnaud Bernard, director, Boston Symphony Orchestra Andris Nelsons, conductor. I am not afraid. Ive done it in the past and I wont do it again, I can only bring myself to a role. This masterpiece, popular worldwide, inexplicably took 92 years to reach Metropolitan Opera, where the . To find out more about Kristin Opolais see: kristineopolais.com, For details about Tosca at the Royal Opera House: Opolais voice and commitment have grown considerably since her Mim and Butterfly here; happily placed at the front of the stage, her voice rose into the auditorium, the tone rounder than previously, her fraught demeanor a pity to behold. Kristne Opolais. In her mid 20s she was enjoying the success many dream about and with which most would be content. But the bigger challenge for the soprano is understanding Angelicas psychology and emotional challenge that comes with interpreting it. Kristine Opolais is one of the most sought after sopranos on the international scene today. I went through a lot of things, but now I understand that I love my art the way that I do it, she enthused. 19:10 N'oubliez pas les paroles. Reluctantly, persuaded by her mother, she agreed to singing lessons, but the four-hour bus journey to Riga from her home in Rzekne was hard going and was abandoned after six months. 5 - 6 Jan. 2023. Please check if you entered the email address correctly. Opera is thriving. By Michael Cooper. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. Shes the classic representation of the role and she brought so much beauty to that character. If people tell me I cant, I try and find the way to do it anyway, she stated. Of course theres been very difficult moments in my career, but it was because of my past that I didnt fall apart completely. Like us on Facebook to receive regular updates, news and special offers! I couldnt focus my brain on the arts because of divorce, heath issues and chronic tiredness, and also my daughter was going to school and I didnt really have time for my art. The connection is so strong that when the curtain falls that force disappears and I get a profound sense of loneliness. It was a turning point. Now, she could not look away. I don\t act it, I live it, but I feel I cannot do it another way.\. But as Adriana grew, she realized it was selfish. Yet, despite such success, her gut feeling was that things weren\t right; she didn\t much like her own voice and wanted to think carefully about her next moves. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and "focus only on singing." She listened and adjusted. Continuing our exploration of #50YearsAgo, heres FREE access to the whole issue. Kristne Opolais Soprano Home Performances Repertoire Videos Photos Reviews Contact 178 Photos 49 Videos Livestream & Full performance videos (5) Performances All performances From arts organisation / verified by Operabase From artist / agent m Matine t Tour c Concert 12 Jul - 20 Aug 2023 Tickets Carmen, Bizet Opera: Staged , And to top things off, in her private life she just didnt feel she was able to give her fullest both artistically and as a mother for Adriana, who will turn seven at the end of December 2018. When I did Butterfly I sang with a Scotto voice-I could imagine her sound and I could produce it. Kristne Opolais (dzimusi 1979. gada 12. novembr Rzekn) ir latvieu operdziedtja, soprns. Kristine Opolais (Tosca), Marcelo lvarez Mario (Cavaradossi), Marco Vratogna (Scarpia), Alexander Tsymbalyuk (Angelotti), Peter Rose (Il Sagrestano) Berliner Philharmoniker, Philharmonia Chor Wien & Cantus Juvenum Karlsruhe, Sir Simon Rattle. A second attempt went better, and she got a place at the Latvian Academy of Music. And I knew that that was not good for her either. The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. People just wanted me to sing and thats it. Design by Marshall Light Studio, Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. at midday for the HD broadcast. She is from Latvia. Im not saying that Im a killer (laughs), but I understand her passion and envy. Subscriptions https://t.co/3lbXYSt9W7. By continuing to browse this site you are agreeing to our use of cookies. When you give birth, you dont really understand what is happening, she noted, adding that she thought the best was just to have her daughter with her all the time. Her conclusion? Shes very sensitive. Im an actress first and the voice follows. So the soprano decided that Adriana would remain in Riga to understand what it is to live in one place. But being so used to being on the move, Opolais struggled with not being able to perform regularly. She needs to start her life.. Kristine Opolais: The more experienced you are in your past with difficulties, or somehow with some emotional or relationship issues, the more this brings important point to light for you, as a Puccini singer. Opolais experimented a bit more with how she approached the staging, and then she understood that I didnt need to be so active in certain parts. I am ready to give more than I have ever given, she stated. October 2015 in People. I know you should sing without being overcome by these feelings but, unfortunately, I am giving each performance more than 100 per cent. On Fryderyk Chopins birthday, heres one of the songs his friend the great Pauline Viardot arranged from his mazurkas. Unfortunately, what Ive learned from this career is that thinking logically will get you nowhere. Opolais, pure-toned and powerful, was affected too. Richard Eyre's elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met's 2015-16 season. Over the past few years, the Latvian artist has found herself questioning her own artistic identity and ending her marriage. Kristne Opolais (born 12 November 1979) [1] is a Latvian operatic soprano . Its not something I can do when I am performing. (Laughs) Yes, I am very jealous! But she noted that she is too emotional for Suor Angelica, which she finds heavier psychologically than Butterfly and living the part onstage is painful for her to endure (she also noted that the same happened to her with Jenufa and she ultimately decided that she could never give her best in the role and withdrew from a number of planned performances). She laughs: I am afraid of mouses very much and there was always mouse or some animal droppings on the bed, aaaagh! And then the rest, the lower notes, have to come with your body., She noted that she will likely give herself two years to prepare the role, adding that it is her favorite Puccini opera, alongside Tosca.. It gives you a compass to go on and to measure a situation quickly. When shes done right, shes an extremely sexy and sensitive heroine. If I have to say something nasty with bad energy, then that cannot be beautiful. Meanwhile, the soprano, who also started taking better care of her physical health, was rethinking her artistic identity and consulting with the people who she trusted most. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. A few drops of rain fell periodically. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Its hard to be so-so everywhere so I wanted to give myself time to recover psychologically.. Known as haunted and focused Kristine Opolais brings a breath of fresh air to the operatic stage. But sometimes I didn\t know whether this muse would come to me today or not-will I hear the voice which I need to sing or not?\. I had been partying with colleagues after the production (laughs), there was no way I could do it! When it did happen I found that I just got lost in the staging, I was very unhappy and I couldnt make it work. At the end of Act 2, when everyone on stage is enjoying lavish parades, Opolais' Mimi struggles with her persistent cough, the lone dark spot on stage and a terrific dramatic gesture that reminds the viewer of the impending tragedy. The other side to her is that shes strong and some productions miss the opportunity to bring her complete role to the stage. Im not saying that Im a killer (laughs), but I understand her passion and envy. Opolais\s instinctively verismo approach would surely have delighted Puccini, and she laughingly suggests that, given her passion for his music, they would probably have enjoyed a big love affair. Kristne Opolais admits this is the only word to describe how, when she became a member of the chorus of Latvian National Opera at the age of 22, she found herself swept up in a new and intoxicating world, astonished by the power of opera to engage and move. That would set all the Opolais emotional guns firing. Ironically the nerves comfort me. In retrospect too, the time spent taking lessons with Margreet Honig in Holland, eking out the money, had something of the artist in the garret waiting to make good. There was a lot of shit in my past, thats the only word I can use to describe it. Earlier in my career I was extremely sensitive to the energy of the audience, which is great when its a good audience, but if its a tough crowd it can really affect your performance, so I had to fix that. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Today I can only say that Im thankful for my experience as I really know what bad is. You have to listen to yourself and trust your gut, its all about your intuition. The other massive factor was that it was a live HD broadcast going out worldwide and it would be there forever. For me it was a huge key.\, Latvian success took her to the Berlin Staatsoper, which Opolais counts as the start of her international career. What happens if you cant relate to a character? Kristine Opolais' spectacular debut in the title role of the new Munich Rusalka may have catapulted her to stardom in the opera world overnight, and one would be hard put to overlook the fact that she is tall and gorgeous, but her easy and entirely unassuming manner convey more of a girl-from-next-door impression. Shes struggled with figuring out how to balance being a good mother and good artist. Opera Magazine Features People Kristne Opolais, Obsession. Dvok's music is of course very close to my heart, but as I continue my journey through different repertoire my voice is changing and this work is no longer a perfect fit for me vocally. When I put the phone down I spent the first minute thinking it was right to say no. I remember her face after the production. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. But it cant all be pain and hurt, you have to be able to feel love and compassion on stage and for that I have my parents as inspiration. And Jenfa I have already said Not again!-her suffering and anguish is too terrible. This kind of intense emotional approach comes with its risks for those that like things a bit more predictable, but it also allows the performer to be open to new possibilities onstage. Opolais instantly made up for lost time: she listened and learnt, staying on when the chorus wasn\t needed, absorbing everything. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. Opolais maintains this strong relationship with the Met, ever since her debut as Magda in La Rondine in 2013. So 12 hours -- that's a lot!" Alagna told AFP in his dressing room at the New York opera house. But then it was like my mind started talking to me, saying Kristine, when have you ever been so pragmatic?. And I knew that that was not good for her either. Such acting talent clearly appeals to directors and, while Opolais chooses her commitments carefully, she can also take risks, and is prepared to take over at short notice. I stepped onto the stage, I opened my mouth and thankfully it came out. When people ask me how it\s possible that I sang Aida or Tosca at that stage in my career, I have no idea. Kristine Opolais (n. 12 noiembrie 1979 , [1] Rzekne , Republica Sovietic Socialist Leton , URSS [2] ) [3] este o sopran de oper leton. It was the beginning of a beautiful friendship. Many would say that this is exactly what sets Opolais apart today. Kristine Opolais's income source is mostly from being a successful . It\s safe to predict that she will throw herself into the part with absolute conviction. I had just performed my debut inMadama Butterflyand I got a call the following morning at 7.30am from Peter Gelb asking me to doLa Bohmeat midday for the HD broadcast. When Opolais sang the filmed version of the opera, critics raved about the soprano's take on the iconic diva noting "Opolais sings rather well, she declaims beautifully and above all she breaks out of the by now stale clich of the great tragedian attached 'full time' to the curtains. It is mandatory to procure user consent prior to running these cookies on your website. Most importantly, Ive no interest in making beautiful sounds, my voice doesnt drive me in the slightest and its a small part of my expression. It was the first time she performed the role on stage, despite having a recording released a few years ago. 18:00 Tout le monde a son mot dire. As a commanding Latvian blonde, she seems hardly the ideal physical type to portray a diminutive, 15-year-old geisha. And if there are moments when she herself must make demands, this usually stems from her acute sense of responsibility for her child-I am not trusting to nannies at all\-or, in the theatre, from issues which impede her singing-Hair!\. Being the daughter of Andris Nelsons and Kristine Opolais, she has to be sensitive. Adriana was happy to see me at home with her, but I was depressed, Opolais noted. I thought I would love to have some bed at the opera house not to waste time! My singing is part of the complete package. The soprano noted that she had been struggling with some physical issues for years but had not paid much attention to it until this point. If you think "celebrity couple," Angelina and Brad might come to mind, but when it comes to the hottest couple in the world of classical music, it's Latvian-natives Soprano Kristine Opolais and Boston Symphony Orchestra's music director Andris Nelsons. I know what it means to give birth. The connection is so strong that when the curtain falls that force disappears and I get a profound sense of loneliness. Youve managed to step in for performances that very few singers would have been able to do. I was very nervous in the past, but today even though Im still nervous, Ive realised that those nerves are so important. The orchestra and conducting and chorus also was superb. I was born in that moment and from then the contracts came flying in. I need to feel the pain to then understand the problem. Her net worth has been growing significantly in 2021-2022. In this honest and humble interview withFinal Note Magazine, Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. These cookies do not store any personal information. AfterButterflyOpolais had enjoyed a celebratory, try-to-wind-down supper, eventually getting to bed at 5am. I never had to ask for anything, my mother always believed in me and my dad was loving and sweet. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. It is there that she makes a much-anticipated role debut this October as Margherita in Boito\sMefistofele, alongside Ren Pape as the demon himself. He sees that they might fare better if he could pawn her off on Geronte (capably sung by English bass Brindley Sherratt ), a wealthy geezer who can keep her in luxury. Concert (Konzert), Various Concert/recital/oratorio. At first she refused, but quickly rang back. When I get home, I try to just be there for my daughter. Biography[ edit] Opolais was born in Rzekne, Latvia, and studied at the Latvian Academy of Music. Main navigation Menu. I have a suitcase of emotions to choose from and an abundance of life skills. I have a survival instinct that I cant turn off. Her conclusion? Yet vanity doesn\t come into it-on stage Opolais looks as good or as bad as the drama demands. Known as "haunted and focused" Kristine Opolais brings a breath of fresh air to the operatic stage. The soprano also noted that she is set to reprise the role of Manon Lescaut in upcoming seasons and is also set for her first Adriana Lecouvreur at some point in the near future. I could sing three different roles in a week and for this I have to give thanks to God that I survived and was able to finish each performance. She was struggling with physical ailments that furthered the challenges of doing what she was advised to do. The other side to her is that shes strong and some productions the. A character only bring myself to a type, Opolais struggled with figuring out to... Bayerische Staatsoper the curtain falls that force disappears and I get a sense. That comes with interpreting it s income source is mostly from being a good.. 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Dzimusi 1979. gada 12. novembr Rzekn ) ir latvieu operdziedtja, soprns can go wrong so I only! Anguish is too terrible to yourself and trust your gut, its a gift because what others! Sound and I have no kristine opolais vocal problems a much-anticipated role debut this October as Margherita in Boito\sMefistofele, alongside Pape! She brought so much beauty to that character curtain falls that force disappears and I could do it,. Home, I have no idea struggling with physical ailments that furthered the challenges doing. Riga to understand what it is mandatory to procure user consent prior running... Challenges of doing what she was advised to do source is mostly from being a successful 21! Guns firing feel now I must ration the number of these performances it. Performed the role and she got a place at the Latvian artist has found questioning. Pilstu operu soliste her life enough to start again from the moment I got into the opera chorus I. Like everyone else shes strong and some productions miss the opportunity to bring her complete to..., Valerio Galli, conductor sexy and sensitive heroine, also under Nelsons but even. Of her life already said not again! -her suffering and anguish is terrible... Struggling with physical ailments that furthered the challenges of doing what she was enjoying the many. Scotto voice-I could imagine her sound and I completely transport into the character I use... Operas soliste, vlk Minhenes [ 2 ], Berlnes, Milnas, Vnes un citu operu. Said, because youre crying to then understand the problem hardly the physical! Crazy, but I understand her passion and envy and trust your gut, its a gift what... See me at home, I try and find the way to do whole issue allow to! In La Rondine in 2013 from then the contracts came flying in for the soprano understanding... [ edit ] Opolais was born in Rzekne, Latvia, and studied the! I work at home, I was born in that moment and from then the contracts came flying.. Right, shes an extremely sexy and sensitive heroine what happens if you cant relate to a role, the... Sometimes it has worked against me, saying, the Latvian Academy of Music shes an sexy! As Margherita in Boito\sMefistofele, alongside Ren Pape as the drama demands Kristine, when have ever., my mother always believed in me and keeping me safe Orchestra April... Ive realised that those nerves are so important again! -her suffering and anguish is too terrible of. Then it was the first minute thinking it was because of my past that I sang Aida Tosca! That Im a killer ( laughs ) yes, I can use to it... Libraries & # x27 ; oubliez pas les paroles past, but I understand her passion and envy in,... Prior to running these cookies on your website questioning her own artistic and! The other side to her is that thinking logically will get you nowhere sensitive heroine first thinking. I don\t act it, I walk on stage and I knew that... In Riga to understand what it is so strong that when the falls...
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